This is the resumption of the path that represented my great school of drawing, where I educated proportion, volume and three dimensions in this harmonic relationship that is anatomy.

I went through several schools, studios, contemporary and academic classes. In all of them I tried to translate my look in this universe, after all, each body is unique, with its individualities, identities and variations in each movement, taking on new forms and opening a range of singularities, where shadows and lights inhabit, principles of poems of volumes and contours .

Nothing is as beautiful as a woman's body. More than a theme, it is instinct tattooed on the psyche of man. It is also music and its movements are notes graded by lights and shadows.

For this reason, in some works, I use gold paint, as a reference to the light licking the silk that represents a woman's delicate skin and hair.

To portray the woman and her lines is to be attracted by the cruel refinements of the labyrinths of seduction. Sometimes, I even think that the whole existence revolves around this seduction, now so profound that it intoxicates us by anesthetizing our senses and leading us to ecstasy.

It is not for nothing that the woman was the first work of art made and worshiped by man as a symbol of fertility and reproduction: the Venus of Willendorf. From that creation, thousands of variations and readings try to decipher this inexhaustible mystery that is the adoption by the woman goddess.